Siena | Basilica San Clemente in Santa Maria dei Servi

Mappa  La basilica di San Clemente in Santa Maria dei Servi, Siena | Enlarge map

Interior

The interior is in great contrast with the rough and bare aspect of the exterior. A renaissance design is attributed to Baldassare Peruzzi. The church was enlarged in the fourteenth or fifteenth century, as seen in the interior of a Latin cross, where the Gothic style of the transept and apse joins the Renaissance style of the three aisles. The Renaissance style does not continue into the transept and apse, which are in the Gothic style. Near the entrance is a Crucifix of the 14th century and a Holy Water stoup of the 13th century.[3]

Basilica San Clemente in Santa Maria dei Servi, interno [2]

Works of art

The most important works housed in the Santa Maria dei Servi include :

Coronation of the Virgin altarpiece

Coronation of the Virgin by Bernardino Fungai. This altarpiece is generally acclaimed as the masterpiece of Fungai and belongs to the period between 1498 and 1501. The four predella panels depicting the life of Saint Clement were sold separately, and were temporarily reunited for an exhibition at the Metropolitan Museum of Art in New York in 1988. The narrative scenes of the four panels are all painted with tempera on wood.
Conversion of Saint Clement, housed in the Musee des Beaux-Arts, Strasbourg. The first panel represents the young philosopher, Clement, who having thought that his parents and two brothers were lost at sea turned more seriously to inquire into the question of the immortality of the soul.
Reunion of Saint Clement with his family, also housed in the Musee des Beaux-Arts, Strasbourg. the second panel shows Clement reunited with his parents and brothers through the instrumentality of Saint Peter the Apostle
Saint Clement Striking the Rock, housed in the City Art Gallery, York, England. The third panel continues the narrative of the life of Saint Clement, after he succeeded Saint Peter as Bishop of Rome.
Martyrdom of Saint Clement, also housed in the City Art Gallery, York, England. The final scene depicting highlights in the life of Clement done in tempera and gold on wood, and is noted as the most magically evocative in Fungai’s career.
The central panel belonging to the predella, depicting The Dead Christ Supported by Two Angels, resurfaced at the 1991 sale of works from the Ferdinand and Imelda Marcos collection at Christie's in New York. The picture was subsequently purchased by the City Art Gallery, York. [4]

 

It is not known when the Fungai predella panels were dismantled from the altarpiece of the church of Santa Maria dei Servi and then separated. There is a lack of information regarding the dates when these panels found their way into the museums where they are housed at the present. [5]

Paintings

"Madonna del Bordone" by Coppo di Marcovaldo (1261 CE).

Madonna del Marcovaldo (called Madonna del Bordone) by Coppo di Marcovaldo, signed and dated 1261, in Byzantine style and partially repainted by a pupil of Duccio. Its height of 7 feet 3 inches and its width of 4 feet foreshadow the late-thirteenth-century tendency for panel paintings to approach the scale of frescoes.[6]

The Massacre of the Innocents by Matteo di Giovanni (1491)

It is the last of four works created by Matteo di Giovanni on the theme of the Slaughter of the Innocents. The painting was commissioned by the Spannocchi merchant family in 1491 and was intended from the start for the chapel dedicated to the Slaughter of the Innocents.
Two other versions are in Santa Caterina a Formello in Naples and Sant'Agostino, also in Siena. He also made a marble pavement panel of the same subject in the Duomo. 

Adoration of the Shepherds (1404) by Taddeo di Bartolo

Madonna and Saints by Matteo di Giovanni

Madonna with child by Duccio di Buoninsegna

The Slaughter of the Innocents by Pietro Lorenzetti

Madonna del Popolo by Lippo Memmi

Herod’s Feast by Pietro Lorenzetti

The Death of St. John the Evangelist by Pietro Lorenzetti

Annunciation by Francesco Vanni

The Madonna of Belvedere of Jacopo di Mino del Pellicciaio and Taddeo di Bartolo (1363)